Abstraction is the leitmotiv
in Beatriz Ezban’s work and in her most recent series the
abstract condition is exacerbated: each picture is multiplied,
is fissioned, transmutes itself, never remains the same.
Large canvases painted in silver, crossed by
occasional lines that only intensify the mutable condition of
the paintings. Primitive seas hiding the genius Proteus, owner
of all wisdom and most difficult to apprehend.
Such is the nature of Principle of Uncertainty,
an exhibition that remits us to the concept of the impossibility
of determining the momentum of a particle. Trying to pin down
an image in this polysemic work is mere fantasy and to no avail.